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Conway, Arkansas, United States
I am a mother, a reader and a writer.

Sunday, May 16, 2010

Every Day in Tuscany by Frances Mayes

I loved Frances Mayes' first bestseller, Under the Tuscan Sun. I really liked her sequel, Bella Tuscany. Subtract the tedious sections where Mayes seems to be filling space and giving readers an unsolicited art-history course and I can truthfully say I enjoyed but didn't love her newest non-fiction book of travel and food writing, Every Day in Tuscany: Seasons of an Italian Life.

Unlike the two previous works, this book focuses less on the house Mayes and her husband, Ed, have restored and much more on the Italian way of eating -- meaning the slow-food movement was in Italy long before the movement was invented. Not only slow-food, but slow-eating, too. Mayes speaks of five-hour dinners mingled with family, friends and casual acquaintances, fresh but simple food galore and enough conversation and laughter to keep a talk-show host entertained. Food is first. Work is second. Dinners and lunches with friends and friends are not something relegated to the 1950s or to celebrity cooks like Bobby Flay and Ina Garten. As Mayes tells it, such feasts are a staple of life in Tuscany.

This book gives a bigger presence to Mayes' family -- her writer husband; her grandson Willie, a little boy with an adventuresome palate; and her daughter -- not to mention her friends and even a few unidentified enemies. The house, effectively the main character of Frances Mayes' previous books, takes on a supporting role in this work. I don't think her previous books ever stated she was married to Mayes. This one makes it clear.

Mayes' latest work also explores her fascination with the Italian artist Signorelli. I love art and art literature but did not find Mayes to be the best story-teller when it comes to this subject. In fact, her chapters that focused on Signorelli's works and life were downright boring at times.

Some of Mayes' words seem self-contradictory. She questions whether there's a hereafter and doesn't come off as particularly religious. Yet, she seeks comfort in lighting candles in a cathedral. Is it the place, the ritual or the intangible beliefs these things represent to her?

I enjoy the book and recommend it to Mayes' fans. But they shouldn't expect a memoir of the same quality as Under the Tuscan Sun. They can expect some more good recipes, though, and another taste of Tuscany.

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